- Time: 3:09 mins
- Comments: "Up From The Bottom" only. Mixed by Kevin McCombs, Directed by Mark Fiore. Uploaded by Linkin Park to YouTube on October 21, 2025.
Linkin Park Live - 2025.09.13 - Los Angeles, CA, United States
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label_quick_facts:20250913
Saturday, 13 September 2025
by Linkin Park
LPLive show count:
LPLive's show count definition
Live count:
Country:
United States 
City:
Los Angeles
State:
California
Venue:
Intuit Dome
Venue Type:
Arena
Support act:
JPEGMAFIA
Linkin Park performance chronology
| 12 Sep 2025 | 13 Sep 2025 | 15 Sep 2025 |
Back to 2025 | ||
| xx. | Unshatter |
| Other | ( 1 ) |
|
Setlist
  | HUMBLE. | Pre-show w/ From Zero countdown; Kendrick Lamar song |
| Act 1 | Inception Intro B | w/ "Iridescent" Vocals |
| 1. | Somewhere I Belong | Short Intro w/ Scratch |
| 2. | Crawling | |
| 3. | Up From The Bottom | |
| 4. | Lying From You
Rotation song |
|
| 5. | The Emptiness Machine | |
| Act 2 | Creation Intro B | w/ "Iridescent" Vocals |
| 6. | The Catalyst | Shortened (No Third Chorus/Breakdown) |
| 7. | Burn It Down | |
| 8. | Stained
Rotation song |
|
| 9. | Where'd You Go | Fort Minor song; Shortened (Intro/1st Verse/Final Chorus); Transition Ending |
| 10. | Waiting For The End | Ext. Intro w/ 2024 Synth |
| 11. | Castle Of Glass
Rotation song |
|
| 12. | Two Faced | Joe Intro; Ext. Bridge |
| 13. | Joe Solo | w/ Colin |
| Empty Spaces | ||
| 14. | When They Come For Me/Remember The Name | Mike Solo; Mashup; w/ Colin; Ext. Transition w/ "High Voltage" Verse 1 |
| 15. | IGYEIH
Rotation song |
|
| 16. | One Step Closer | 2024 Intro; Ext. Outro w/ Chorus Riff |
| Act 3 | Break/Collapse Transition | |
| 17. | Lost | Stripped (Intro/1st Verse/Chorus) into Full Band; Shortened Bridge |
| 18. | Unshatter
Rotation song |
Live Debut |
| 19. | What I've Done | |
| Act 4 | Kintsugi Transition | |
| 20. | Overflow | Ext. Synth Intro w/ Dr. Dre's "The Next Episode" |
| 21. | Numb | Punk "Numb/Encore" Intro |
| 22. | Over Each Other
Rotation song |
|
| 23. | In The End | |
| 24. | Faint | Ext. Outro |
| Act 5 | Resolution Intro B | w/ "Iridescent" Vocals |
| 25. | Papercut | 2024 Intro |
| 26. | Heavy Is The Crown | |
| 27. | Bleed It Out | Ext. Bridge w/ "A Place For My Head" Verse 1; Ext. Outro |
| From Zero | ( 7 ) |
| |
| Other | ( 5 ) |
| |
| Hybrid Theory | ( 4 ) |
| |
| Meteora | ( 4 ) |
| |
| Living Things | ( 2 ) |
| |
| A Thousand Suns | ( 2 ) |
| |
| Minutes To Midnight | ( 2 ) |
| |
| The Rising Tied | ( 1 ) |
|
Show Notes
- The band was delayed by about 20 minutes, with the pre-show countdown not starting until 9:05pm, the show beginning at 9:15pm.
- The pre-show From Zero countdown song for this show was "HUMBLE." by Kendrick Lamar.
- "Stained" was performed in Act II for the second time, the first time being at 2025.07.11 Saint-Denis, France.
- Mike spoke to the crowd during the extended bridge of "Two Faced", joking that he sometimes gets a little mad at Los Angeles for not going crazy enough - "but not tonight!"
- Mike gave his hat signed by the whole band to a fan named Kevin in the crowd during the extended transition of "When They Come For Me/Remember The Name". He rapped verse one of "High Voltage" for the first time on his solo medley, saying a fan recently told him that it was that song that got them into the band. "High Voltage" last appeared in a Linkin Park set in 2014.11.20 Bremen, Germany, where the verse also featured during Mike's solo part of the set. The last time the verse appeared overall was on the last full show of the Post Traumatic Tour in 2019.09.06 Manila, Philippines, where Mike rapped the verse and chorus over the live version of "Lift Off".
- "IGYEIH" replaced "Given Up" in the heavy rotation for this set, appearing outside of Set C for the first time on tour. Emily missed the first lines of the second verse of the song.
- Before "Unshatter", Mike spoke to the crowd: "We were having a little conversation here about what to do at this moment because we wanted to do something special for LA. We have one song from the record that we have not played live yet from the extended version of From Zero. And you guys get to have it first!"
- Mike played the horn sample from Dr. Dre's "The Next Episode" on his synth during the extended intro of "Overflow".
- A fan picked number 3 for the Colin Control intro, having the band play the "Numb/Encore" intro in a punk style.
- "Over Each Other" rotated in the set in place of the usual "A Place For My Head".
- The band switched around the end of the main set and the encore in this performance of Set B, ending the main set with "In The End" and "Faint" and ending the encore with "Heavy Is The Crown" and "Bleed It Out".
- Mike dedicated "In The End" to Talinda Bennington and her family, who were in the crowd that night.
- Emily spoke to the crowd before "Bleed It Out", amping them up for the final song. Mike came in off-beat for the first lines of the song, and rapped verse one of "A Place For My Head" over the extended bridge.
Debuts
- "Unshatter" was performed live for the first time. With the debut of this song, every song released during the From Zero era (up until this point) has been performed live, including bonus tracks. From Zero is the first record since Hybrid Theory to be performed in full plus its bonus tracks (barring the intro track).
Other Notes
- This show was announced on March 27, 2025 with the release of "Up From The Bottom" and the announcement of the From Zero (Deluxe Edition). It replaced the Dodger Stadium show on the same day, moving it to a smaller venue and dropping Queens Of The Stone Age from the lineup. Tickets went on sale the first week of April 2025.
- A number of old Linkin Park artifacts were on display outside the venue before the show, including the Meteora art wall and the Hybrid Theory soldiers from their 2001 shows.
- Before the show, Linkin Park soundchecked "Unshatter".
Sources:
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Setlist -
Setlist
Photos of the Show
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Poster
Information (General Poster): Linkin Park has commissioned artist CRYPTIK to create artwork for a limited-edition poster for the 2025 From Zero World Tour stop in Denver. Each hand-numbered print is limited to 200 copies and is printed on 18" x 24" heavy cold press cotton rag 300gsm paper with a deckle edge.
Information (Signed Poster): Linkin Park has commissioned artist OG SLICK to create artwork for a limited-edition poster for the 2025 From Zero World Tour stop in Los Angeles. Signed by the band, each hand-numbered print is limited to 10 copies and is printed on 18" x 24" heavy cold press cotton rag 300gsm paper with a deckle edge.
Artist Bio: Artist: Richard P. Wyrgatsch II Street Identity: Slick, OG Slick
Born and raised in Honolulu, Hawaii, Slick moved to Los Angeles in 1986 at age 19, becoming a defining force in the West Coast’s contribution to graffiti worldwide. His artistic talents were shaped by his childhood fascination with American and Japanese popular culture. This influence led to demand for his commercial artwork and collaborations, including Ice Cube’s music video for Who’s the Mack and album cover art for Pharcyde’s Bizarre Ride II the Pharcyde. A pioneering force in American Streetwear, Slick was at the forefront of West Coast streetwear culture from 1989, adapting his unique satirical style for a broader audience and laying the foundation for generations of brands to come. Simultaneously, he pushed the boundaries of spray techniques and character work in the underground graffiti scene. Working at the intersection of commerce and fine art, process and subversive tension are central to Slick’s practice.
Slick’s diverse body of work includes traditional murals, digital manipulations, streetwear and toy design, site-specific installations, public sculptures, and studio paintings, with aerosol spray paint as his preferred medium. He has created murals worldwide, connected to his culture and iconography, as seen in the Slick Hand Luke mural in Long Beach, California, and the Big Smiling Aloha mural in Honolulu, Hawaii.
Slick’s work critiques popular culture and normative behaviors through his fascination with natural decay and human destruction. His creations ignite emotions through satire and parody and playful sculptures.
Slick has collaborated with various clients, including Adidas, Levi’s, Li-Ning, Microsoft, Disney, LA Lakers, MLS, Mercedes, and even created a gigantic inflatable pig for Roger Waters.